Saturday, 3 October 2015

Yoko Ono's "petition for peace", MoMA, NYC

A very diverse, and very current exhibit in MoMA, NYC, of Yoko Ono's works and performances.

Most of the works on display were from 60s but themes touched there, such as gender inequality, human rights, anti-war/for peace movements, are as current, as ever... Powerful stuff.

*Film No. 4, "petition for peace" against gender inequality and war

*"War is Over!", by Yoko Ono and John Lennon

*"Cut Piece" performance by Yoko Ono

*"Touch Poem for Group of People"

*"Bag Piece" performance


Wednesday, 13 May 2015

Do your homework! Lessons and observations from my UK election experience

This was the second time I voted during British elections, but the first for the UK parliament. I am not a member nor a passionate supporter of any political party. During the course of election campaign, I was certain I would be voting for Labour, but on the election day I ended up voting for the Greens.

A night before going to the polling station I suddenly realised that I was lacking a very crucial piece of information. Although I wanted to vote for Labour (the party), I had no idea who I was going to vote for (the MP candidate, that is) !! It’s like I suddenly woke up, my brain re-started functioning and my vision became clearer.

If you follow the UK election campaign, it's all about political parties (and their leaders) fighting each other for your vote. It’s very easy to forget that there is an important caveat there: even though you may wish to vote for a particular party, in fact you vote for a particular candidate who represents that party in your constituency (formally speaking, “represents you”). While it is expected that MPs support their party’s election manifesto and key values, they are not bound by party’s decisions, they can rebel and break the ranks during the voting in the parliament (this can be a very good thing, but a very bad thing too).

So yes, while MPs represent their party, their own position matters and can influence an outcome of issues that matter to you. That’s why, as much as you support any particular party during the election, it is so important to do a homework and check candidates’ views re at least some of the key issues that matter to you. Of course, if they are former MPs, their voting record is easy to check, but even if they are not MPs, google search is the least we can do to get an insight on the candidates before deciding who to vote for.

Luckily (well, sort of), a Labour candidate in my 'safe Labour' constituency was a long serving MP. Disappointingly though, what I discovered while studying his voting record was his pretty poor gay rights records. Just imagine how would I feel afterwards if unwittingly voted for him. Here we are. The lesson. Never trust parties for their selection (and not only). All they care is a ‘safe seat’. Always check candidate’s profile and views. Had I just went blindly for 'vote Labour', I would end up voting for a bigoted person.

Among other observations, I’d mention the abundance of personal attacks and negative campaigning during the whole pre-election period. It’s part of the tradition, I suppose. It can be entertaining, but only to an extent. Even for a person who have lived in the UK for a decade already and is used to parliamentary debates here, the sheer volume of personal attacks during  the campaign was way too much and up-your-face for my liking. Forget about cliche British reservedness and politeness. When it comes to politics and election campaign, it’s an opposite of that cliche.

What surprised me most during the actual election day in the UK, there are no ID checks at polling stations. You do not even need to show a polling card. They just ask for your address and "confirm your name, please” (verbally!). In theory, anyone who knows your name and address can easily come and vote instead of you.

Also, you could see the representatives of some candidates outside the polling station PR-ing for their candidate on the day of election too, distributing leaflets, trying to convince you to vote for their candidate just before your enter the polling station. This may be legal but unexpected for me and annoying.

And most of the main British media end up supporting (explicitly or implicitly) particular party(ies), even The Independent…

But regardless, even with this abundance of populism and negative campaigning, with all these shortcomings, the election campaign in the UK is an exercise of democracy. At times it’s pretty entertaining and hilarious; at other times - totally uninspiring, boring and disappointing; occasionally - very stimulating, when party leaders challenge each other on their ideas and programmes.

This all affects your decisions, of course, but at the end of the day you vote with your free will. You are responsible for the decisions and choices you make. And your vote counts. Something that substantial proportion of the world’s population is still deprived of.

Wednesday, 22 April 2015

Maxim Gorky theatre in Berlin delivers impressively designed programme re the anniversary of the Armenian Genocide

This was perhaps, the most impressive, diverse and arty programme I have ever seen in any country re the anniversary of the Armenian Genocide. From the outside installation to the in-house design, from the leaflets and posters to the impressive variety of performances, concerts, films and events, including concert by Arto Tunçboyacıyan and world preview premiere of the Armenian Genocide themed film "1915" (see my brief reflections towards the end).

I am a big fan of independent cinemas and venues, and Maxim Gorky theatre in Berlin is exactly my type of the venue.

The influence of one of my all-time fave couples Atom Egoyan and Arsinée Khanjian was palpable, with the design themes à la Parajanov.

Concert by Arto Tunçboyacıyan was enjoyable, albeit somewhat lacklustre, lacking usual Arto's drive. I was told that his luggage didn't arrive in time. Not sure if this affected his mood.

There was also a world preview premiere of the new Armenian Genocide themed film "1915" by Garin Hovannisian [son of Armenia's ex-FM Raffi Hovannisian and grandson of well known historian Richard Hovannisian] and Alec Mouhibian. I thought it was mainly directed at Diaspora Armenians. Kudos to directors for attempting at portraying it in an unconventional way, raising some challenging questions. However, I am not convinced re the overall execution of the film, with unstable narratives and performances. But it will certainly generate discussions. [in picture above: Alec Mouhibian, Garin Hovannisian and Nikolai Kinski during the Q&A]

Saturday, 18 April 2015

London march to mark the centenary of the Armenian Genocide

Today, the Armenian community in London and friends were marching to mark the centenary of the Armenian Genocide.

Turnout was relatively good. The route of the march was initially via 'backyard' streets, and for a while we were marching along almost empty streets. This has changed when we reached Trafalgar sq, and from there march continued along the busy streets, filled with tourists and locals enjoying the glorious weather in London.

Marchers were bearing flags of the nations that formally recognised the Armenian Genocide. According to the programme, a handing in the Centenary Petition at 10 Downing Street was planned too (I missed it but I assume it did happen).

When we reached the final destination - St Paul's cathedral, a representative of the St Paul's addressed the public on a PA system from the top of the Western Stairs. It was a heart-warming speech with references to sharing the pain of the Armenians and commemorating the anniversary. She announced that the bishop will travel to Yerevan to participate in April 24th commemorative events.

Start of the march - Green park:

Reaching Trafalgar sq:

At the Cenotaph:

Marching along Westminster, Big Ben, river Thames:

Final destination - St Paul's cathedral: